这把椅子诞生于西巷空间的实际需求，也是一次从二维画布向三维器物的设计实验。西巷以自然感悟、数学逻辑与色彩理性构建绘画，椅子则延续这一方法，将理性推导转化为空间形式。设计从座面、靠背与扶手的舒适尺度出发，以一片荧光绿色亚克力弯折形成扶手、座面与支撑，并与落地背板构成稳定结构。透明连接件强化细部，单边扶手则赋予椅子更大的组合自由。黑暗空间中，荧光边缘随光线亮起，投射出淡淡的绿色。没有多余的加法，纯粹的理性推导最终产生了轻盈、幽默而富有互动性的日常器物。

This chair was born as an experiment in translating a two-dimensional artistic language into a three-dimensional object. Starting from the ergonomic dimensions of the seat, backrest, and armrest, a single sheet of fluorescent green acrylic is bent to form the armrest, seat, and vertical support, while the grounded backrest completes a stable structure. Transparent connectors reinforce the joints, while the one-sided armrest allows greater flexibility in arrangement. In the dark interior, its fluorescent edges glow with the light, casting a subtle green reflection onto the surrounding surfaces. With no unnecessary additions, a purely rational process ultimately gives rise to an object that is light, playful, and unexpectedly interactive.